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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院美国内战1990幸运的人肮脏的周末怨望重返天堂岛觉醒年代江湖水麦田守望的女孩青之壬生浪-芹泽暗杀篇-我的母亲萨梅迪暗芝居第十三季燃烧身体的记忆成人生活技能猪猪侠大电影·恐龙日记地狱捷径不朽的名作春娇与志明兼职法官2拨号上网80后屌丝男士 第一季厨师杰克冒险记盗版爱情朱迪与潘趣微观小世界第一季人人都恨克里斯 第四季漓江三女情
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院美国内战1990幸运的人肮脏的周末怨望重返天堂岛觉醒年代江湖水麦田守望的女孩青之壬生浪-芹泽暗杀篇-我的母亲萨梅迪暗芝居第十三季燃烧身体的记忆成人生活技能猪猪侠大电影·恐龙日记地狱捷径不朽的名作春娇与志明兼职法官2拨号上网80后屌丝男士 第一季厨师杰克冒险记盗版爱情朱迪与潘趣微观小世界第一季人人都恨克里斯 第四季漓江三女情