德拉克的回归

德拉克的回归电影免费高清在线观看全集。
　　与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).陌陌影视陌陌影视樱花影院6080影院finalcut连锁剧亚特兰大娇妻第十三季93国际列车大劫案：莫斯科行动天堂岛之外：2023圣诞特别集远古外星人第十二季盈盈一笑萧郎顾人渣的本愿最后的吸血鬼幸福就好古埃及十大发现午夜佩拉宫第一季活色生香2015绷不住了啦·春日特辑紧急呼救第三季匆匆油菜花开的季节惊世猛兽西村京太郎悬疑剧场 十津川刑警的肖像5 镰仓电铁杀人事件一梦枕星河日记2024死亡笔记3：L改变世界国语瞧大圣龙王子第七季泰山王子实习医生风云 第九季