剧照
剧情介绍
便利店故事电影免费高清在线观看全集。
Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns. While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back? Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale. 源自：https://iffr.com/en/iffr/2023/films/convenience-story陌陌影视陌陌影视樱花影院6080影院对岸的家务事～这就是我的生存之道我命中注定的人黑色孤儿第三季少林木人巷国语和谐一家亲回家一粒红尘黑便士信心之山加布好老师第三季德州午夜第二季顶级跑车大观最后一件外套普通话版大众情人1932小矮人篮球队篮球公园还我河山大耳窿风流小站荜路薪传－南洋华文教育今昔谈倚天屠龙记之九阳神功国语版黑霹雳第三季隐秘而伟大海洋异物志樱姬拜托了！大侠
Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns. While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back? Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale. 源自：https://iffr.com/en/iffr/2023/films/convenience-story陌陌影视陌陌影视樱花影院6080影院对岸的家务事～这就是我的生存之道我命中注定的人黑色孤儿第三季少林木人巷国语和谐一家亲回家一粒红尘黑便士信心之山加布好老师第三季德州午夜第二季顶级跑车大观最后一件外套普通话版大众情人1932小矮人篮球队篮球公园还我河山大耳窿风流小站荜路薪传－南洋华文教育今昔谈倚天屠龙记之九阳神功国语版黑霹雳第三季隐秘而伟大海洋异物志樱姬拜托了！大侠
没看明白，二刷就算了，谁3倍速解析说说
三木聪翻车。
48时期不太感冒前田敦子，现在反倒对有她的片子都会看一看，她选的片子都很不寻常，角色也都很有意思。她个人气质现在很突出，AI感和“漏点不自知”的天真
完全没看明白，也不好看。
或许是剧本作家的《生死停留》，亦或是《千与千寻》的走向。若是后者的套路，两位阴阳侦探已在灵界被便利店老板钓野伏，结尾又如何在现实中现身？而片尾作家女友放下的祈祷瓶已经与片头作家踢飞的桥段形成闭环（女友的手被不明人物抓伤？狗子也被找回？），这个又说不通了。如此看来，还是偏向前者的走向。演员方面没啥问题，但导演估计是跟片中的导演一样神神叨叨的被自个儿整崩了吧。
努力了，5倍速拉着进度条一路逃亡式看电影
一记懵锤，不算难看但也仅此而已。
园子温不是谁都能学得来的。
剧本家的生死停留。
虽然但是，哪怕是三木聪死忠粉，但这次好像也很难给三星了。反倒是觉得这个故事讲得太实了，反而不有趣了，而且那些天马行空的鬼点子也没了，严肃的议题既不深沉又不戏谑，两头不靠是最无奈了。一个（瞎说的）评价标准是：如果连布施绘理在片中都没什么发挥的话，那么这部三木聪一定是没意思的。
挺有趣的设定，导演很用力地把诡异、阴间玩意和暧昧情愫融在一起，就是太着重笔墨在两位主演莫名其妙的化学反应和床上运动了。在那样的环境下一相识能做的就只有那个吗，故事变得很肤浅。没看出前田敦子饰演的女性比男主现实中的女友更有魅力的地方，正牌女友至少是个认真工作、努力赚钱，并且发现男主失踪后多方打听寻找的很在意他的人，形象也一点不差还是同行。前田敦子的角色没有任何生活、工作技能，纯靠男人养着，并且见到年轻点的男性就勾引然后指望对方带着她私奔，毫无自我和魅力可言。因此男主对两个女人巨大的区别对待并不令人信服，故事着重描写的“出轨艳遇”有着挺明显的瑕疵。整个故事偏男性（意淫）视角，女性角色姿态都非常低，不是特别感兴趣的女观众还是别看了。前田敦子老了，脸变成了多边形，成田凌竟然年龄越大还越帅了，不可思议
就...就算是三木聪这次也不太行额...（
还好吧，也没那么不堪了。不过女朋友那条线有点多余，和编剧那条线基本没关系啊。
荒诞不是莫名其妙。
哈人
便利店不需要这样的故事
「便利店杀人事件」。脚本家创作的是妄想还是现实？观众看到的是幻想还是现实？不幸的444、幸运的333、荒野里的便利店、森林里的指挥家、八分钟前的太阳、死者经过的“永远祭”。anyway，男主会遭遇这些有的没的，一定是他随地丢弃修勾的错……片山友希很好，很适合三木聪神叨叨的风格。
过往三木聪的作品虽然也会有些悬疑成分，但整体是轻松幽默的，这次因为有死亡主题，再按他那套不按常理的剧情发展，就会又混乱又沉重，完全不是脱力系而是乏力系。成田凌饰演的编剧写不出来剧本估计是三木聪的真实写照吧，写不出来还是不要硬写为妙。
三木聪个人风格的极致展现，既毫无价值又自作聪明。一个半小时的容量却无可以支撑时长的文本，任务架构立不住，整出戏几乎沦为了成田凌个人秀。剧情推进已全无逻辑可言，所谓的平行世界穿越存在感极低。无论玄幻、猎奇、惊悚还是讽刺都做的很差，质感廉价昏昏欲睡。想知道这100分钟导演到底都拍了些什么，这样的午夜场电影真心没有任何存在的必要。
便利店里有故事，便利店外是人生，乱七八糟一通演，其实我也是乱说。